2017 – 2018 Workshops Schedule
I am always looking for new opportunities for demos, workshops, and even lunch. Just send me an email at firstname.lastname@example.org.
Beer Bottles, Bottleneck Guitars, and Other Such Still Life (1 Day Workshop)The Wallkill River School of Art, Patchett House, 232 Ward St (17k), Montgomery, NY 12549wallkillriverschool.com10:00 AM
Watercolor Painting: Compose, Draw and PAINT (2 Day Workshop) Spring Cityscapes and PeopleThe Wallkill River School of Art, Patchett House, 232 Ward St (17k), Montgomery, NY 12549(845) 457-ARTS Email: email@example.com:00 AM
Compose, Draw and PAINT (1 Day Workshop) – 2 Point PerspectiveNational Art League, 44-21 Douglaston Parkway, Douglaston, NY 11363201-913-1140 or firstname.lastname@example.org
Watercolor Painting: Compose, Draw and PAINT (2 Day Workshop) – “Loose and Juicy Cityscapes”Ocean County Artists' Guild, Ocean and Chestnut Avenues Island Heights, NJ 08732732-270-31119:30
I met Dorrie Rifkin a few years ago through CAA – Community Arts Association in Bergen County, NJ. I was in awe of her watercolor painting of sunbathers with umbrellas that was on display at one of our monthly meetings. Since then, I’ve gotten to know Dorrie and took a painting workshop and painted beer bottles – what else! Dorrie has a unique style of painting; her command of colors of loose approach make her a standout. She is a wonderful instructor and a friendly person! Thanks Dorrie.
I thought it was a great workshop, and I learned a lot.
Here’s what I especially learned:
1. Using masses of shapes
2. Mixing basic three colors to get other colors for color unity rather than relying on 10 different watercolor tubes
3. the grid
4. using hats and sunglasses
5. not drawing necks!
Thank you and all the best!
I never miss attending Dorrie’s workshops when she’s in New Jersey. She’s experienced, knowledgeable in her field, and her easy-going manner, makes it easy for participants to enjoy a fun learning experience.
Your instruction was extremely helpful. Never would I have thought of starting with the figures in the foreground, but I now understand that they set the tone and feeling for the rest of the painting.
I realize my touch was on the light side but wasn’t sure where I was being led to in the painting. Layers of glazes do make a lot of sense for city and landscapes.
Thank you again for being so free in giving advice and instruction. I know I’ll being able to put it all to good use.
Dorrie’s has a friendly and informal approach to teaching which takes the pressure off, allowing her workshop attendees the freedom to fearlessly explore new and exciting techniques in design and creativity.